THE OFFICIAL "KKXG: KING KONG VS GIGANTOSAURUS" HOMEPAGE

REGISTERED COPYRIGHT © 2006-2011 ALAN COLOSI. This page is designed for 1680 x 1050 pixel resolution monitors.

CAPTAIN YURIKO KUMAGE: HER FIRST ADVENTURE
DURING THE GREATEST WAR ON EARTH
THE PREQUEL TO THE VERY POPULAR: KKXG: KING KONG VS GIGANTOSAURUS!!
ISBN-10: 1466438649; ISBN-13: 978-1466438644; Original Certified June 12, 2011 (proof on physical document) US Registered Copyright (Prima Facie): TXu001767476.

熊毛隊長！
BOTH ON SALE AT CREATESPACE (Publisher), AMAZON.COM, AND THE AMAZON KINDLE!!
釈由美子さんの考えと知識への1冊目の小説と2冊目の小説。
KKXG:              CAPTAIN KUMAGE: You now can read CAPTAIN YURIKO KUMAGE from your computer or through the following mobile devices with the appropriate, free Kindle app (click the link to get the app):
BLACKBERRY        APPLE IPAD        APPLE IPHONE        APPLE IPOD TOUCH        PC       

FOLLOW ALL ****KKXG**** UPDATES ON TWITTER (In Japanese)!!
****CLICK HERE!!****

KKXG: KING KONG VS GIGANTOSAURUS (THE NOVEL)
THE ADVENTURES OF YURIKO KUMAGE DURING THE GREATEST WAR ON EARTH

The Anger Shall Be Heard. The God Will Have a Say.

ONLY $6.12 ON THE AMAZON KINDLE
              
NOW ON SALE AT CREATESPACE (Publisher), AMAZON.COM, or THE AMAZON KINDLE!!

ISBN: 1449904416; ISBN-13: 9781449904418; Original 2006 US Registered Copyright (Prima Facie): PAu003075664

You now can read KKXG from your computer or through the following mobile devices with the appropriate, free Kindle app (click the link to get the app):
BLACKBERRY        APPLE IPAD        APPLE IPHONE        APPLE IPOD TOUCH        PC       

THE MAKING OF ***KKXG***

KKXG: KING KONG VS GIGANTOSAURUS (The Book): WORDS: 94,808 PAGES: 326 (FINAL)
PUBLISHER STATUS: AUTHORIZED (THE ONE) -- 釈由美子さんの考えと知識への小説。 カイリー・ミノーグへも。

In the original KKXG Godzilla version, First Lt. Akane Yashiro (Shaku Yumiko 釈由美子) returned for the next round.

I can release to the public the fact there exists an official screenplay that is a sequel to the motion pictures "GXMG: Godzilla vs MechaGodzilla 2003" (GXMG) and "GMMG: Godzilla, Mothra, MechaGodzilla - Tokyo S.O.S. 2004" (GMMG). It is under copyright and registered in the US Copyright Office and at the Writers Guild of America West. The title is ****"KKXG: KING KONG VS GODZILLA"**** for Japan and ****"KKXG: KING KONG VS GIGANTOSAURUS"**** for The United States!! The latter is an official book that is NOW ON SALE and mutually exclusive from the films, an original work from scratch, not associated with Toho Co. Ltd. (Tokyo Stock Exchange: 9602:JP). In total there are eight (8) screenplays and one (1) book......nine (9) products. Below are the largest versions:

-- KKXG: KING KONG VS GIGANTOSAURUS (US Only - EXTENDED Version): WORDS: WORDS: 44,875, PAGES: 205.53, CAMERA SHOTS: 404. (SUBMITTED)
-- KKXG: KING KONG VS GIGANTOSAURUS (US and Japan EXTENDED Version) - WORDS: 50,969, PAGES: 225.28, CAMERA SHOTS: 421. (SUBMITTED)
-- KKXG: KING KONG VS GODZILLA (Original EXTENDED Version) - WORDS: 48,766, PAGES: 213.50, CAMERA SHOTS: 422. (SUBMITTED)

--- KKXG: KING KONG VS GIGANTOSAURUS (********THE FUTURE********)



Yashiro (Shaku Yumiko 釈由美子). Time for an education, boys and girls.

The Development of KKXG

The September 11th Effect
After graduation from Boston University, Cum Laude in Computer Science with Japanese as a foreign language, the economy, albeit in a Wall Street tumble, was great for graduates. I continued going to Japan with affordable airfare, yet at the same time, slowly paying off my massive college loan. I met many, many friends in Japan and continued to stay in touch. I decided one perfect time to land in Japan was on September 12, 2001, which would have required I fly American Airlines Flight 11. Instead, last minute, I decided to fly a week earlier and onward to Bangkok, not telling anyone. If anyone knows what it felt like going into Tokyo, and then finding out airplanes were hijacked from your own airport and flown into The World Trade Center with all your friends assuming you were "on your way" from Boston, MA to Japan, with all the flights, all over the world cancelled, and there you were, one of the only Americans flying from Boston landing into Tokyo, Narita airport---if not the only one---you close your eyes and contemplate what you want to do, if you were to survive this. My email inbox was flooded with mail from every person that knew of my existence that day asking me "if I was all right", "what happened". Shock, horror, it was frightening. Chaos at the airport, except in the arrivals area where it was empty. That day I knew what it felt like to be dead. I have all the boarding passes and the stamp in my passport to prove it. I closed my eyes and made a wish on that airplane, I made a thought, a wish, whatever you want to call it. Only one person will ever know what I saw when I opened my eyes.



The idea for KKXG was created at that moment, on the jet. All my friends from Tokyo, Osaka, and Sendai held these huge dinners for me, thanking any creator or any reason I was alive. It was fascinating, but to me, it was not a time for celebration, but a time for action. I had an idea that was to everyone else, impossible, but I had no choice but to implement it and keep it secret. Slowly, as the years progressed, I attempted to get it out and convince people. What a learning experience between action and non-action. Everyone wants to hear about it, no one wants to take action with me and make it real. Not one can conceive what I already know.

GXMG: Godzilla vs MechaGodzilla 2003
After monthly trips to Japan, "GXMG: Godzilla vs MechaGodzilla 2003" was finally released and it was the first Godzilla movie produced after September 11, 2001 starring Shaku Yumiko as the lead after her "Princess Blade" film. Written by Wataru Mimura, it's obvious Shaku made the complete character development for the film herself. Again with 3rd row seats at the next Tokyo International Film Festival, one year later, I watched the film with new characters like Kiryu (aka: MechaGodzilla), Akane Yashiro, Hayato Igarashi and a different form of Godzilla. At the end I met Mr. Shougo Tomiyama, the producer of the film and President of Toho Eiga where he asked me personally what I thought of MechaGodzilla. And I told him, it was good as I tried to figure out if Kiryu was a sentient being and if so then he has his rights. My otoku friend, who was with me, became totally scared of the situation.

In Yurakucho, one month later in December for the wide release premier, another 3rd row seat at a different theater. This time Shaku Yumiko was there and I received a strong, very long eye-to-eye contact with her while she was wearing that Akane Yashiro "uniform". Another actor explained to her something about me in her ear and she kept looking. She never stopped. It was sad, in a way. Because now I'm in a position where I have an otoku-fan representing me whom was not a business elite, and here I have Shaku Yumiko ready to do business with me when I am creating KKXG. Now I had a more professional problem. Everyone knows me, my friend is too otoku and I have two, mutually exclusive Godzilla ideas from two (2) different films (aka: GMK and GXMG). How can I include two (2) mutually exclusive Godzilla movie ideas (GMK & GXMG) into another separate mutually exclusive King Kong story where only one Godzilla is required? And with Shaku Yumiko's complete involvement too--especially for what she did with the Akane Yashiro character? I'll find something. I'll find a way or make a way. As Sumner Redstone, Chairman of Viacom and my very first employer, once said to me, "working with (a J-Idol) will be the least of your problems."

The One World Alliance are the airlines that brought "KKXG: KING KONG VS GIGANTOSAURUS -- The Adventures of Yuriko Kumage During the Greatest War on Earth" to you!

GMMG: Godzilla Mothra MechaGodzilla - Tokyo SOS 2004
Another year passes, and more monthly trips to Japan commence. Shaku is doing "Sky High" in both film and Japanese television. My otaku friends have no solidified media experience (and I have loads.....TONS). It's Japan, not America. It's different. Where are my business friends, around a corner? I'm separated from where I belong. It's hard and I can't figure it out. And with economic developments, my otaku friends start going their own separate ways with their own families---the economy is getting worse, and yes, the interest of these movies start to deteriorate (and it is an outside force that requires computer science to understand it). Maybe they are getting older, while I am getting "younger"? Nevertheless, Toho releases "GMMG: Godzilla Mothra MechaGodzilla - Tokyo S.O.S. 2004" as a direct sequel to "GXMG: Godzilla vs MechaGodzilla 2003", but no mention, anywhere, of Shaku Yumiko. What kind of business collapse went on there? The woman who singlehandedly saved GXMG, is no where to be found in the sequel? That's like Carrie Fisher not in "The Empire Strikes Back", if you ask me. Now it's my 3rd Tokyo International Film Festival, but this time no one could go. Therefore I had to do the entire way of getting a ticket by myself, with no English, all Japanese. Does anyone see how important a college education is? When everything goes against you, you have your education to fall back on---and it's such an advantage that pays off in the end. I did it, I got in for the premier. I watched the film and by the Grace of God, the door opens for a KKXG story! Shaku Yumiko **is** in the film portraying Akane Yashiro. In the plot, they send her to The United States, under orders for "additional training". YES! She's coming home. A link. I've got the one an only character made by Shaku Yumiko. But what is the real Shaku Yumiko going to do over the next 4 - 5 years? 10 years? I am not otaku-fan, I am business, a writer, and an original creator. Real business with real people. Good people, bad people, smart people and stupid people. Just like any other business. I got it.

GFW: Godzilla Final Wars 2005
A $20 million investment that makes only $8 million, "GFW: Godzilla Final Wars 2005". But I actually got in the film itself---as an "important extra and made the cut"---and I did it the hard way!! My otaku-friends did helped and deserve most of that credit. It's the United Nations scene and I'm the first (and only) foreigner sitting with all the Japanese suits that represent "all the countries" (ehh?)! I'm in it for 1 second, the first cut breaking to the audience. I would have been in it for three (3) seconds had one of my otoku friends not lean forward as if he were written in the script for an Academy Award, but there it is. I'm in. They decided to use my cut, done deal and a smart move. Ironic too, they filmed that scene at Tokyo Big Site for one full day, the day President Ronald Reagan passed away, so I did it for The Gipper. I also required the entire day to actually encompass the feel of being inside an actual Japanese Godzilla film, so I could incorporate that feel inside the KKXG story. One cannot write a Japanese "Godzilla" story correctly (and that includes surpassing those written with a lack of conceptual ideas) without being inside a Japanese Godzilla story with the Japanese. Mandatory requirement---all others immediately fail. At the end, I even stood up and saluted for AMERICA. No one figured out what I was doing. No one knew, my President Ronald Reagan passed away.

Toho had to feed all of us for that shoot and with a bento meal (rice, egg, sausage, deep fried chicken, Japanese plums and vegetables and wonderful "O~iocha" (tasty roasted tea). Then all of a sudden, Shougo Tomiyama comes walking in, looks at all the Japanese eating and then, bang! Eye contact with me. Here is me, "Mr.Wonderful", doing his best Matt Damon, "Good Will Hunting" smiling impersonation, and looking straight at The President of Toho Eiga---the producer, and co-screenwriter of this film---with chopsticks (hashi) in my hand. He looks up and all he is thinking is deal making. Yeah, I got KKXG, but my otaku friends CANNOT represent me as a manager---as we find out later.

GFW is shown at Yurakucho in December and my otaku friends couldn't make it. Imagine that, they get in the cut, and don't even go. I worked my butt off, with a huge risk, and they didn't even show-up. Would Sylvester Stallone pushing "Rocky" do that? Maybe the movie must have sucked, or maybe that Rodan scene was disrespectful to the 9/11 tragedy. Nevertheless, I had yet to see it; therefore, I had to get the ticket (again) all by myself, all in Japanese, through the gauntlet; but this time I had to get the 2nd showing, the first one is sold out. No big deal. And what happens as I wait in line for the second showing? At the end of the first showing, Shougo Tomiyama comes out from the front door and is mobbed by people and business men giving him their business cards (i.e.: meishi). He sees me in line (wearing a hat), gives me the same look, and I cannot say anything. He picks me out of all these swarming Japanese men and women (both fans and business men). I want to say something, but this is NOT a business meeting. He walks right beside me and stops three centimeters beside me, his back there, his ear....he wants to say something to me, I'm now next to his shoulder. If he was any closer, I'd would kiss him for Shaku, but then I'd be thrown out of the country. What would Shaku Yumiko do in this situation? Really, what would she do if I were her in this specific position at her equal level at this specific moment? You'd have to ask her. What I did was let the people giving him their business cards deal with this instead. He can meet me (again) another time. I have KKXG. I have the BILLION DOLLAR EQUATION. But it's still only in my head...........and it ******BURNS****** It ******BURNS****** in my head. We made a reliable business corrspondence above and beyond all that was there trying.

After that, I see this film and it's awful. One person claps at the end. No reaction from the crowd. I'm not here to write a critical review. Making movies is a risk, it's a job, it doesn't always work. In this case, Mr. Tomiyama "started with a large fortune and ended up with a small one" (re: Mel Simon). However GMMG 2004 didn't make money, either. This appears to be what Sumner Redstone always warns of.....The movie industry is not a growth business. I go to the stage and slam my hat down. I hop up and sit on that stage when all the patrons were leaving. I looked at the seats. "So this is what a movie theater looks like from this side of the screen", I said aloud in English. Practically no one spoke English, so no one knew what I said.

That day, I started to write the treatment for KKXG, and when it was finished, I registered it inside the Writers Guild of America West, immediately (in March 2006). That's important, because one of my otoku friends wanted to edit the Japanese sections. In the world where law, contracts, and regulations are king, you have to protect yourself, even from your friends. Blood is thicker than water; therefore, always make every necessary step before doing it. Think of the cost if one loses the trust! My friend did fix some of the Japanese, and I did my best to decipher his "red ink" notations (like back in the days of Boston University Japanese classes). However, I did my best and that was it. I had a good treatment. Then without warning, my otaku friend comes back and says "Oh, let me fix the Japanese again!". Why? Because who knows what he "said to someone, of whatever". But I let him re-do it, and now the treatment looks much better. Fine. The treatment is ready, it's KKXG, a BILLION DOLLAR money maker; therefore, I write a letter to Shougo Tomiyama and tell him it exists. I mail the letter in Tokyo.


The One World Alliance are the airlines that brought "KKXG: KING KONG VS GIGANTOSAURUS -- The Adventures of Yuriko Kumage During the Greatest War on Earth" to you!

The Shougo Tomiyama (Toho Eiga President) effect
Within one (1) minute from receiving the letter, he calls my otoku friend (who's business card I provided)---that is absolultely true and an undisputed fact---ONE MINUTE! It scared the living daylights out my otaku friend. In my letter, I asked to meet with Tomiyama officially in his Toho office to discuss the business of Godzilla, both its efficiencies and inefficiencies, plus the business of KING KONG VS GODZILLA. Mr. Tomiyama said on the voice mail, "KING KONG VS GODZILLA is very difficult to do." Well, to me, that's an obvious yes. He continued: "And...we don't own the rights to KING KONG"......AH!.....Does anyone see a BOB WOODWARD, "All the President's Men" moment here? Does anyone remember what happened in that scene, inside the editor's office at The Washington Post (newspaper) when the White House admitted "innocence" to an investigation that hadn't started yet? Robert Redford played the part of Bob Woodward.

EDITOR: "Isn't that what you expected him to say?"
ME (as Woodward): "Absolutely."
EDITOR: "So?"
ME (as Woodward): "I didn't say anything about the rights to King Kong. Mr Tomiyama, The President of Toho Eiga and producer of many Godzilla films immediately volunteered he didn't own the rights to King Kong. I have "Universal Studios vs. Nintendo Co."
EDITOR: (Pause) "Be careful how you write it."

Yes, I'm a "humper". I busted my ass off to get to this point. Then Mr. Tomiyama specifically says to my otoku friend (who is now acting as if he were my manager) in a separate conversation, to let him know the next time I'm in Japan to meet in his Toho office. I immediately register the script for its copyright at the US Copyright Office. I return to Japan in November, but there was a scheduling conflict. I return again in December and this time I had a serious scheduling confict.


CASE #0000 失った過去の記憶を取り戻す事が出来たら、LOVE GAMEクリア。
PAGE 0: 釈由美子さんの考えと知識への小説。
現実のLOVE GAMEスタート。





STRONG MANAGER REQUIRED.

****CONFIRMED**** SHOUGO TOMIYAMA (President of Toho Eiga, the movie wing of Toho Co. Ltd.) has resigned. The announcement came three (3) days after my MARCH 28, 2010 JST submission of this material to my Japanese (female) agent. Confirmation of his departure came on APRIL 20, 2010 JST, EXACTLY one (1) day after my final Japan submission of this content, including its official United States published date of APRIL 19, 2010 JST (APRIL 18, 2010 EDT)!! KING KONG and SHAKU YUMIKO have won (this round).

The Mathematics
Here is a chart of how KKXG, under mathematical induction, will at least yield the cost of production if it costs $100,000,000 to make, so long as it's released in The United States, and done in a semi-non correct manner. It also shows the result if released in a correct manner. The chart will be difficult to understand if you don't understand mathematical induction, as I do not explain (on purpose) other given facts. However, if you do understand, you can easily deduce some of these additional facts. And if everything is fact, then the result is fact, so long as one does not divert from the proof. The chart accurately predicts the market crash. I will state everything and field questions, if and only if, I have a professional meeting with executives. I can prove that if KKXG is released, distributed, and produced correctly, with the fact it is written correctly (my way), it can yield AT LEAST $1 BILLION USD in revenue. Period. If anyone has questions about mathematical induction, feel free to email me at shado3@verizon.net or BING "Mathematical Induction". This is an induction proof. There is no contradiction. If one ventures off the proof, that person will lose. All publishers, producers, and major studios must submit an official, verifiable email to shado3@verizon.net to communicate. Everything in writing. Sumner Redstone once said "I practice law everyday, even though I don't practice law."

The Law

King Kong and Godzilla are two (2) legacy characters. Each maintain a shared 50% total that equals 1. For the script to go forward, I have to show that each 50% of 1 can take place. First, Godzilla. Toho owns the rights and trademarks of Godzilla and characters associated. Under US Copyright Law, titles are not under copyright. Period. Gigantosaurus and the character I created is not owned and trademarked by Toho. The Gigantosaurus character is not Godzilla, doesn't look like Godzilla, and does not come from any origin associated with that of Godzilla. Godzilla CAN be used if Toho wants it to be used (the original script exists solely for that purpose). Other than that, it is not Godzilla. That's the first 50%.

The other 50%: King Kong - I refer to these specific cases:

- "Universal City Studios, Inc. v. RKO General Inc., et al. 1975"
- "Universal City Studios, Inc. v. Nintendo Co., Ltd. June 29, 1982,".
- United States Court of Appeals, Second Circuit (4 October 1984). Universal City Studios, Inc. v. Nintendo Co., Ltd.
- United States Court of Appeals, Second Circuit (15 July 1986). Universal City Studios, Inc. v. Nintendo Co., Ltd.

I do not refer to or recognize any commercially released, for profit, book where the purpose is to manipulate an opinion of ownership rights of past characters of King Kong, for a buck, and then contradicts that manipulation in their own words. When reality states a contradiction to that opinion, it is not recognized. There exists a countless amount of versions of King Kong, where each entity own their own version of a giant gorilla named King Kong, Kong, Kongu or other similarities, based on court rulings claiming public domain for the right to make their version of a character called King Kong. Additionally, I, and academia, do not recognize the on-line encyclopedia known as Wikipedia and any opinion expressed by similar on-line claims to be a publication that can be edited, changed, fixed, or debased by any entity (whether by a living person or a cat walking across the keyboard), anywhere in the world, anonymously. Only opinions of actual court documents, and there are tons of them, that I read, assess and deem as fact, are recognized.

Based on this assessment, I own all ownership rights and all merchandising rights associated with all new characters including Gigantosaurus, my story associated with the characters and my version of King Kong, a large primate under the name "King Kong". Therefore this "KKXG: KING KONG VS GIGANTOSAURUS" script is legal to be bid on for sale. Since, there are numerous versions of King Kongs (plural) where mutually exclusive entities have ownership rights to their specific versions, the reason this phenomenon exists, King Kong, in general, is a public domain character. The original novelization and the characters in the story are in the public domain and additionally no one owns the rights to a primate, its size and its name (in this case "King Kong" as a general application of a recognition) designated under US Public Domain Law, so that it doesn't infringe on the mutual exclusivity of other versions. I am opened to all forms of negotiation, both from the public domain side and from the numerous multiple ownership sides.

Battlestar Galactica Razor effect
In case no one has noticed, the Akane Yashiro character is "resurrected" in the release of "Battlestar Galactica: Razor" under the character name Kendra Shaw (portrayed by Stephanie Jacobson), in my opinion. And when I'm giving my opinion, take my word for it, it's true. The story, written by Michael Taylor and Ronald D.Moore, is great, but there are some coincidences that I don't believe to be coincidences at all. Evidence? First, the character looks and acts exactly like Akane Yashiro (Shaku Yumiko). It's written as a POV character as if it was what took place after Yashiro went to "The United States" for training in GMMG 2004. We see Lt. Kendra Shaw now taking a shuttle to The Battlestar Pegasus. Oops, Her name tag is shown. Look at this:

SHAW.K -> SHAKU

Later on, the Kendra Shaw character was ordered (by Commander Caine) to kill many people in order to get supplies for the Battlestar Pegasus. The ship where the incident occured is "called Scylla". Hmm. That's interesting from actor Jamie Bamber portraying Commander Lee Adama. "...a ship called Scylla" which was said with a close shot of Kendra Shaw, deduced now as "Shaku".

"Called Scylla" -> GODZILLA

Coincidence, luck, respect, admonishment, wish, rip-off, liable, schizophrenic? You choose. And, "Knock it off, Hudson" (ALIENS).

Yashiro (Shaku)                                     Shaw (Jacobson)

It's an imprint of the contination of my written character Akane Yashiro. My script is registered at The Writers Guild of America West *******a year before******** Michael Taylor and Ron Moore "wrote theirs". I am not accusing anyone of anything. I am only showing what I see, and what I wrote. My script speaks for itself. Additionally, this is a perfect example on the value of Akane Yashiro. In other words. it has been made one way, now make it my way. Ron Moore is a representative at The Writer's Guild of America West and under their doctrine to protect writers, no one is supposed to read anything that is submitted. Did anyone think the person who wrote "KKXG: King Kong vs Godzilla" was not going to watch "Battlestar Galactica's Razor" on the day of its release? In the second to last scene, Admiral Adama (Edward James Olmos) said it best: "And since history's first draft (will be) written in our logs..."

The Meeting
Finally, the Deep Background contact comes through. I end up meeting Shaku Yumiko's entire management team and all the artists under the Tommy's Artist Company management name. I want them to manage this content. As anyone can easily figure out, given 4 - 5 years later since "GXMG: Godzilla vs MechaGodzilla 2003", it is impossible for them to manage this content in America. And in Japan, Mr. Tomiyama isn't talking. GOD BLESS AMERICA!

****CONFIRMED**** SHOUGO TOMIYAMA (President of Toho Eiga, the movie wing of Toho Co. Ltd.) has resigned. The announcement came three (3) days after my MARCH 28, 2010 JST submission of this material to my Japanese (female) agent. Confirmation of his departure came on APRIL 20, 2010 JST, EXACTLY one (1) day after my final Japan submission of this content, including its official United States published date of APRIL 19, 2010 JST (APRIL 18, 2010 EDT)!! KING KONG and SHAKU YUMIKO have won (this round).

SHIMATANI YOSHINARI
INTERIM PRESIDENT (Part Time)/MANAGING DIRECTOR
TOHO PICTURES INC.
1-4-1 SETAGAWA-KU
SEIJYOU, TOKYO 157-8561
JAPAN

東宝映画社長（非常勤）　島谷能成（東宝本社専務）
東宝 映画
〒157-8561世田谷区成城1-4-1
東京 日本

All information as to the story behind the making of "KKXG: King Kong vs Gigantosaurus" and "KKXG: King Kong vs Godzilla" is Copyright © 2006-2010 ALAN COLOSI and registered in the US Copyright Office.
ALL RIGHTS RESERVED

"KKXG: King Kong vs Godzilla" and "KKXG: King Kong vs Gigantosaurus" (The Official Screenplays), and "KKXG: King Kong vs Gigantosaurus" (The Book) is Copyright © 2006-2011 ALAN COLOSI, registered in the US Copyright Office, and registered in the Writers Guild of America West. ALL RIGHTS RESERVED. These products are protected by valuable intellectual property rights including, but not limited to copyright and/or trade secret rights. No part of these products may be reproduced, stored in a retrieval system, cached, distributed, or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise. These products may not be resold, repackaged or redistributed.